If up until now have always associated with Brazil in football, beautiful women, sunny beaches or in the music world for Sepultura or sarcophagus, well now, know that the darkness of Hellligth will drop on your head, obscuring the sun in the sky. From San Paolo there came rain clouds that spread the plague from hell wanted this dark duo. Well if this brief introduction, there seemed clear enough, we're talking about a combo, now already at the finish of the third job, given over to a funeral doom that leaves little room for flashes of light. And you can tell immediately with the title of the opening track, "The Light That Brought Darkness" series "Abandon all hope ye who enter here" and with good reason because you are immediately enveloped by a sense of total absence of oxygen, almost lost the senses, numbed by such great desolation. Do you know what the wonderful thing about all this river of sadness that overwhelms us immediately? That is nothing short of enchanting, stunning intensity, amazing for being so unexpected and unpredictable. Russia's Solitude Productions has fished well this time the other side the world with a band that will gain from the first class crystal fanatics genre of funeral doom, and then in my view will open the minds of those who are so biased against one type of sound that, in contrast to what is might believe, you can give exciting moments of music and Helllight are the clear demonstration, with an album that as it may seem unapproachable, (for example, if we think only the extremely long chunks of certificates over 12 minutes) manages to surprise us at every step. Following an excellent opening track mail, able to give us five minutes with the last moments of profound solemnity, with the second "Downfall of the Rain" there dive in heavy sounds that find their greatest impetus in the insert piano placed in the middle piece. Heavy and oppressive, the duo works carioca on our backs with a sound to the edge of legality, made up of powerful guitars and ultra slow to paint high mountains covered with snow, then riff supported by a commendable work of the synth Fabio De Paula (sounds like a soccer player in the Chievo), and a growling powerful that sometimes gives us moments of peace with clean vocals that I recalled the good Nemtheanga Alan, in his appearance in our own Void of Silence. I would like to further mention it for a few glimpses of thick guitar and classical school, they reveal a certain technical preparation of the ACT South America. Final quote for "Children of Doom", my favorite song, which probably shows the side more "ethereal" (pass me the term) of ours, but that sets my adoration for a band that did not know existed until yesterday. Finally, a very bad sin to cover that with our music has little to do. However sublime! (Francesco Scarci)
(Solitude Productions)
Score: 80
0 comments:
Post a Comment